By Alli Bartkowski
"If you could reduce and roll a strip of paper, you could quill! Paper quilling is having fun with a daring resurgence, with artists reinterpreting and revitalizing the strategy with intriguing new rules. those 50 various designs characteristic breathtaking quilled playing cards for vacations, unique events, and only for fun.Start with basic, basic kinds, all proven in close-up images that rookies can simply persist with: a decent roll, teardrop, sq., scroll, and extra. those shape the fundamentals for such initiatives as an lovable child carriage-shaped tag, adorned with buttons; rolled Christmas holly berries on a tiny wreath; and a Father’s Day card with shiny, photograph styles forming a history for a miniature white blouse and tie.A good looks shot showcases the finished card, and line drawings make clear the entire quilled components."
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Extra info for 50 Nifty Quilled Cards
They must be about to leave a symposion—a provision basket hangs on the wall, the youth wears a wreath, and the boy sports a large red ribbon in his hair. The reveler holds the elegant walking stick appropriate to an Athenian dandy together with the flute case. He was surely a guest at the banquet, while the flutist provided paid entertainment during the evening pastime of the rich. Under the spell of wine and music, the youth approaches the boy with a gesture reminiscent of the courting scenes which begin to disappear at this time from the repertory of vase painting.
The Brygos Painter often represented satyrs in various situations. On this fragment we have only the remains of two heads, but there is still enough to tell that a satyr stands to right behind Dionysos or a maenad, who looks off in the same direction. What is a little unusual here is the fact that the satyr holds up a discus, an object more appropriate to the palaestra than to the Dionysiac rites. Satyrs, the half-human, half-goat attendants of Dionysos, undergo some strange transformations during the early decades of red-figure vase painting, most probably under the influence of contemporary satyr plays.
Inside, within a single reserved line, a bearded satyr runs to the right, holding a full wineskin before him and looking back over his shoulder. Instead of incising the details of the anatomy, the artist has drawn them in, using black relief lines for the contours and added red paint for the articulation of finer details like the creature's tail and his ivy wreath. The new technique produces a more easily readable rendering of the half-human figure. In spite of the difference in technique, the two subjects are recognizably by the same artist—the running poses within the circular frames, the proportions of heads and bodies, and 41 the husky, muscular figures drawn with a minimum of detail and maximum of exuberance are unmistakably the work of Oltos.
50 Nifty Quilled Cards by Alli Bartkowski